Atomos Ninja V 5.2″ 8K HDMI H.265 Raw Recording Monitor

Key Features – 1920 x 1080 Touchscreen Display – HDMI 2.0 Input/Output – Record up to 8K30 ProRes Raw – H.265 Codec Download License Included – 10-Bit Exterior Viewable Monitor – 1000 cd/m² Brightness – AtomHDR Mode with 10-Stop Dynamic Range – Records to 2.5″ Mini or Standard SSDs – 10-Bit 4:2:2 ProRes & DNxHR Encoding – Single Sony L-Series Battery Slot If you’re shooting with an 8K camera, then why not record in 8K raw format using the Ninja V 5.2″ 8K HDMI H.265 Raw Recording Monitor from Atomos. The Ninja V is the same on-camera monitor/recorder as its predecessor the Ninja V 5″, but the Ninja now features a 5.2″ display and records and plays back up to 8K raw video to and from purpose-built mini-SSDs. The Ninja V can record Apple ProRes raw up to 8K30 or DCI 4K120 directly from the sensor, and it is compatible with select cameras such as the Canon R5. It also includes a H.265 free-to-download license to record with the high-quality, low-bandwidth codec for up to 10-bit recording in ProRes 4:2:2. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras. Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of on-screen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key further expand your Ninja V capabilities. New in the Ninja V – A new chip supports higher frame rates and resolutions – ProRes raw recording over HDMI up to 4K120 with Z Cam E2 and E2-M4 – ProRes raw recording over HDMI up to 8K30 with cameras such as the Canon R5 (more camera integrations coming from mid-2021) – H.265 free-to-download license to provide 10-bit recordings in 4:2:2, 8-bit recordings in 4:2:2 and 4:2:0 XQ: Bit rates up to 350 Mb/s MQ: Bit rates up to 200 Mb/s LQ: Bit rates up to 100 Mb/s 5″ Daylight Viewable Screen – The Ninja V features a 5.2″ IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation. Recording Codecs Including Raw over HDMI – Record Apple ProRes and ProRes Raw with select cameras at rates up to 8K30 with select cameras and up to DCI 4K120 – Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras – Avid DNx compatibility enables wide camera and editing software compatibility Bright 5.2″ Display with AtomHDR – Display ten stops of dynamic range of your camera’s log image with AtomHDR – 1920 x 1080 display with 1000 cd/m² brightness for daylight viewing – 10-bit color processing and user calibration – Supports custom LUTs DSLR and Mirrorless Camera Support – Compatible with virtually any HDMI source including cameras from: ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM 8K30 and 4K120 Capabilities – Record 8K30 or DCI/UHD 4K ProRes raw at rates up to 120 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs. SSD Recording – Record to standard 2.5″ SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive. User Calibration – Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy. Anamorphic De-Squeeze – The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios. Selectable Markers – A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options. Game Capture – Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review. Audio Input/Output – Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring. Optional Expansion Modules – AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion for up to 8K30 ProRes raw video – SDI Raw activation key – AtomX SYNC for wirelessly synced, timecoded multicamera capture – Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60 Note: SDI Raw is not supported on Sony FS700, F5, and FS5 cameras. Supported Log Formats – ARRI Log C – Canon C-Log, C-Log 2 – FUJIFILM F-Log – JVC J-Log – Nikon N-Log – Panasonic V-Log – RED LogFilm – Sony SLog2, SLog3 HDR Recording (Gamut) – ARRI Log CEI160, CEI200, CEI250, CEI320, – ARRI LogCEI400, CEI500, CEI640, CEI800 – ARRI LogCEI1000, CEI1280, CEI1600 – Canon C-Log, C-Log 2, C-Log3 – FUJIFILM F-Log – HLG – JVC J-Log1 – Nikon N-Log PQ10K – Panasonic V-Log – RED LogFilm, RG310, RG312 – Sony SLog2, SLog3 HDR Monitoring (Gamma) – ARRI ALEXA Wide Gamut – BT.2020 – Canon Cinema, DCI P3, DCI P3 , BT2020 – JVC LS300 – Nikon N-Log PQ10K – Panasonic V-Gamut – Rec. 709 – RED DRAGONcolor, DRAGONcolor2 – REDcolor2, REDcolor3, REDcolor4 – REDWideGamut – Sony S-Gamut, S-Gamut3, S-Gamut3.Cine – Sony SLog2, SLog3 HDR Monitoring (Gamut) – ARRI ALEXA Wide Gamut (mapping to Rec. 709/BT.2020/DCI-P3 on loop-out) – BT.2020 – Canon Cinema – DCI-P3, DCI-P3 – Panasonic V-Gamut – Rec. 709 – RED DRAGONcolor, DRAGONcolor2 – REDcolor2, REDcolor3, REDcolor4 – REDWideGamut – Sony S-Gamut, S-Gamut3, S-Gamut3.Cine Time-Lapse Record a time-lapse video as a single file Available in ProRes, DNx, and ProRes Raw over HDMI or SDI Time-lapse sequence options include: – Number of frames/seconds captured – Intervals between frames/seconds/minutes/hours – Duration of sequence in frames/seconds/minutes/hours Monitior Leica L-Log Gamma in BT2020 Gamut – Supports Leica SL 25 only – Support for other models available in future updates